4krow said:I had a 45 RPM of Patricia Barber a few years ago. Don't recall the album. What I can't forget is the eeriness of the album! She was in my room and her breath smelled of liquor.
G, I totally agree with the idea that analog is the highest sampling rat(rate, sorry). I use my analogy of comparing analog with shaving. If you use a blade, then that misses nothing. If you use an electric shaver, it 'samples' the hairs(some by pulling!) and cuts most of them.
I listened to a CD of hers a couple of months ago and played it back at Redbook specs. The first thing that struck both my wife and myself was the clarity of the recording. The fact that it was a live recording made it even more mind boggling. Listening to it clearly illustrated the importance of the engineers in remastering or recording music. I have returned some hi-def recordings because the quality was so poor. Barber is a good baseline for what good studio engineering is.