Doc B. said:BeePre2 works well with lots of amps and, yes, it is the mate to the Kaiju.
Thanks for the information. If I get the BeePre2 and the Kaiju would the 300Bs in both need to be matched? Would upgrading the tube on only 1 be waste?
Doc B. said:BeePre2 works well with lots of amps and, yes, it is the mate to the Kaiju.
I couldn't find a datasheet either. The most I can find is that it supports up to 16W output.Paul Birkeland said:If there's no datasheet for that tube, I would hold off on using it until they publish one.
tsingle999 said:<<If I get the BeePre2 and the Kaiju would the 300Bs in both need to be matched? Would upgrading the tube on only 1 be waste?>>
I have the beepre and a 300b BH amp. I think one pair of upgraded tubes is worth it. The nice thing is you can try them in both the amp and pre and see where you like them better.
The position of a volume control doesn't tell you much about what the amp is doing. You could put a Pass F4 in place of the Kaiju and you'd have to crank that volume control way up, but the F4 has 4x the power of the Kaiju.currly30 said:I typically run the Master-9 at 28-33 out of 100 on the volume setting. So The Kaiju has plenty of power to work for low sensitivity near field speakers.
Noise that varies with the output level of your source is likely an issue that could be addressed on its own. If you have audible 60Hz hum from the Kaiju, the DC filament upgrade will address that.currly30 said:I can run the speakers to uncomfortably loud levels.
Though to get to a loud enough level to fill a large room the noise floor is to great for the speakers. So you end up with quite a bit of distortion.
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