JamieMcC
New member
Valab 23 step attenuator musings
BHC+Speedball+Valab
Instillation
Firstly although this should be a fairly straight forward modification if you are doing this after you have built your Crack + Speedball it requires a bit more work than if you had installed it at the start of your build. Because the valab is quiet tall and the connections are located on its top I had to disconnect and replace all of the connecting wires with longer ones.
This meant un-mounting the small speedball boards (but not disconnecting the wiring) to gain enough access to the octal pins at A7 and A2. Space is restricted, de-soldering and reattaching longer wires is a fiddly and time consuming task. I was very pleased to have an illuminated magnifying glass to check clearances and solder joints with as the speedball boards make it a bit darker and restrict your angle of view.
Fitting of the valab 23 step attenuator is quiet straight forward the standard volume pots hole needs to be enlarged by about 1-2mm. The smaller locating pin hole requires elongating slightly a dremel made quick work of these mods.
I initially thought the Valab would not fit but it did there is only just enough clearance for the Valab and it only fitted because the smaller A/B board can slot between the small gap between the Valabs upper and lower banks of resistors (see pic).
Initial impressions with a few hours listening.
Tubes, Mullard 12au7 and Tung-sol 5998
Most noticeable is an improvement in clarity particularly to the mids and top end. Music seems to have more of a crispness and openness to it.
Placement within the soundstage seems a little more precise. Instruments have a little more attack and bite to the leading edges of notes.
I can hear some woodiness texture to certain wind instruments I had not noticed before.
Listening as I type to Fleetwood Mac, Lindsey Buckingham
BHC+Speedball+Valab
Instillation
Firstly although this should be a fairly straight forward modification if you are doing this after you have built your Crack + Speedball it requires a bit more work than if you had installed it at the start of your build. Because the valab is quiet tall and the connections are located on its top I had to disconnect and replace all of the connecting wires with longer ones.
This meant un-mounting the small speedball boards (but not disconnecting the wiring) to gain enough access to the octal pins at A7 and A2. Space is restricted, de-soldering and reattaching longer wires is a fiddly and time consuming task. I was very pleased to have an illuminated magnifying glass to check clearances and solder joints with as the speedball boards make it a bit darker and restrict your angle of view.
Fitting of the valab 23 step attenuator is quiet straight forward the standard volume pots hole needs to be enlarged by about 1-2mm. The smaller locating pin hole requires elongating slightly a dremel made quick work of these mods.
I initially thought the Valab would not fit but it did there is only just enough clearance for the Valab and it only fitted because the smaller A/B board can slot between the small gap between the Valabs upper and lower banks of resistors (see pic).
Initial impressions with a few hours listening.
Tubes, Mullard 12au7 and Tung-sol 5998
Most noticeable is an improvement in clarity particularly to the mids and top end. Music seems to have more of a crispness and openness to it.
Placement within the soundstage seems a little more precise. Instruments have a little more attack and bite to the leading edges of notes.
I can hear some woodiness texture to certain wind instruments I had not noticed before.
Listening as I type to Fleetwood Mac, Lindsey Buckingham