New to me paraglow monoblocks

superchunk

New member
Hi all, sorry if this is the wrong space for this but I couldn't find a better one.

I just picked up some old paraglow monoblocks, with the cobalt transformers. I'll be moving them to a new chassis and I was wondering if there was any circuit upgrades I should be making, perhaps power supply? Is there a repository for this kind of info (revisions etc...)?

Happy to hear any and all thoughts on these. I'm a novice with a little bit of experience with kits etc ..but looking to learn learn learn.
 

Attachments

  • IMG20250128081345.jpg
    IMG20250128081345.jpg
    1.6 MB · Views: 20
That was from the very early days of Bottlehead; in fact I'll have to check my files to see if it was before the name Bottlehead was adopted! There doesn't seem to be a specific sub-forum under the "Legacy Products" forum - we'll have to make one. If I recall correctly, that was the first time we used parallel feed output transformers. It is a parafeed version of the Afterglow direct coupled 2A3 amp. I see it has been modified - the big capacitor glued to the side panel was not stock. A few more photos, of higher resolution, would help us identify any other mods and version - I think there were two different power transformers used, and the driver was probably a 5965 or a Russian 6N1P.

It's a rare beast indeed, and the cobalt transformers rarer still.

I'll dig up my old notes, but in the meantime just note there are probably a few changes that should be made for safety and longevity.
 
That was from the very early days of Bottlehead; in fact I'll have to check my files to see if it was before the name Bottlehead was adopted! There doesn't seem to be a specific sub-forum under the "Legacy Products" forum - we'll have to make one. If I recall correctly, that was the first time we used parallel feed output transformers. It is a parafeed version of the Afterglow direct coupled 2A3 amp. I see it has been modified - the big capacitor glued to the side panel was not stock. A few more photos, of higher resolution, would help us identify any other mods and version - I think there were two different power transformers used, and the driver was probably a 5965 or a Russian 6N1P.

It's a rare beast indeed, and the cobalt transformers rarer still.

I'll dig up my old notes, but in the meantime just note there are probably a few changes that should be made for safety and longevity.

I'll grab a bunch of pics today. This one has the exo-36 and is the one Bill Gaw built for his article long ago.

Yeah those caps are probably 60+ years old. They won't be staying.

Because of the quality of the transformers it'll be a cost is no object on parts as I rebuild it.
 
I found three draft notes, documentation I've been slowly working on. I believe PB has done some refurbishing as custom work as well. Note, there was a Paraglow II incorporating John Tucker's early implementation of shunt regulation for the driver. It was a non-Bottlehead modification kit.
 

Attachments

Ah, super interesting. Awesome to have those notes. Incidentally I had a John Tucker phono stage for a while, sounded very nice. Should have kept it probably.
 
Oh, btw, I have the original booklet and thought I would mention that if none of yours survived the 30 years, and it has any sentimental value to you I can scan it for my own needs and send it to you (anyone at the bottlehead team).

Just a thought since it's possible few are still out there.
 
Ok got these hooked up to try out today, and holy crap. These are some of the nicest amps I've ever heard. Closest comparison I could make would be to a triode labs parallel 2a3 I had, which was excellent, but the clarity and inner detail is even better on these. I'm excited.

I'm compiling a list of various upgrades I have seen, hoping some experts will be able to take a look at that when I'm done.
 
That gave me a flashback. That run of transformers was unique. In or around 2001 Mike LaFevre asked me if I wanted to do a special run of cobalt transformers, as he had acquired a small ($$$) quantity of cobalt steel laminations. I don't recall production numbers but there were EXO-35s, 36s, 45s and 46s IIRC. Probably not more a few dozen total. One thing led to another and I ended up spending hours upon hours in the kitchen of the old farmhouse we had leased for that year, polishing the brass channel frames and flocking the bobbins. Yeah, only did that once...

The cobalt lams were interesting stuff. Whereas the permalloy transformers we had been selling had a great sense of delicacy but weren't really great at big transients, the cobalt could be really punchy with the tradeoff being a little less fine resolution. Not long after this Mike started mixing permalloy and M6 lams in an attempt to get the best ratio of fine resolution and dynamic capability.

I'm remembering that Mike felt you could push the cobalt quite a bit harder than M6. You might consider a circuit that can put out a little more power than the standard Paraglow. It was around 2.5W, limited by the direct coupling of the stages. Seem to recall Mike felt you could put more like 4W through them. PJ should probably weight in on this.
 
Yes, some really great sounding amps came out of the late 1990's experimentation. One of them is the cobalt core, which provides more headroom for clean transients.

Looking forward to seeing your list!
 
Also, the 450V rated filter caps were really at their voltage limit. When we would get those in for refurb I would replace them with a stack of a couple of 450V rated caps in series, with 100K ohm equalizing resistors across each one to handle the startup voltage spike. Bear in mind that for two caps in series the capacitance goes down to c1c2/c1+c2 so you would need twice the capacitance rating for the new caps to retain the original capacitance spec.

And I recall that the cathode resistors on the 2A3s were marginal in terms of power rating too. I seem to recall around 30W minimum is what they need to be.
 
Wow, the cobalt transformers were really rare. It would be worth optimizing the entire amp around them.

For the filter caps consider some of the DC link film caps.
 
I have to say, to my tastes and I'm my application this amplifier is an absolute triumph. I've had a lot of amps through my system in the big $ big name range (dartzeel type stuff) and this one easily just knocked my reference down to midbass duties. I was on the verge of tears last night listening to music.



Again, I'm a total novice in electronics so I'll be going slow and easy. And I like it so much I maybe don't want to make major changes.



My list so far:



1. Replace 4uf motor run with mundorf 6.8



2. Fix up the soldered fuse



3. Replace RCA with kle - and wire neotech



4. Replace the 100uf caps with motor run or 2x 200uf + 350v+ and resistor to equalize voltage (wattage for resistor?)



5. Clean up the IEC wiring - replace with duelund 600v



6. Replace the 3k 12w resistor with 3k 50w rieden from connex



7. Wire mute switch to also turn off



8. Use rod Coleman constant current board?



9. 0.15 duelund bypass caps on all capacitors



10. Change driver tubes to 6sn7?
 
6. Replace the 3k 12w resistor with 3k 50w rieden from connex

10. Change driver tubes to 6sn7?
You'd want to use a 100-200W aluminum housed resistor if that's the way you want to go. Those resistors need a big aluminum heatsink to work properly (bigger than your top plate), so they have to be seriously derated otherwise if you don't have that much metal available. I'd recommend going to Mouser and looking for tubular wirewound resistors instead.

The 6SN7 will drop the gain of the amp a fair amount, and you'd have to do some analysis to determine an appropriate operating point that won't limit the output power of the amplifier.
 
You'd want to use a 100-200W aluminum housed resistor if that's the way you want to go. Those resistors need a big aluminum heatsink to work properly (bigger than your top plate), so they have to be seriously derated otherwise if you don't have that much metal available. I'd recommend going to Mouser and looking for tubular wirewound resistors instead.

The 6SN7 will drop the gain of the amp a fair amount, and you'd have to do some analysis to determine an appropriate operating point that won't limit the output power of the amplifier.

ok thank you, that's coming off the list, was a passing fancy. I'll be starting with the easy parts updates and upgrades, and reading Morgan Smith and Reiner van Lunde (sp?) over the winter.
 
Back
Top