Another idea for volume control on the FP III+

hi again,  here is a small demonstration of my ongoing ignorance.  my components are placed on a big ol' sturdy coffee table at arms length directly in front of me.  an efp 3, a sex 2.1, a decware cd 200i and an old carver fm tuner.  my speakers are audio nirvana 12 inch and are flanking the components at around 70 inches from my ears.  this idea was stolen from pierre at mapleshade audio.  i have been set up this way for over six months now and will most likely NEVER return to the "rule of thirds"..........no remote control,  no tedious walks back and forth to change sources, or discs, or volume adjustments.  walking back and forth to a set of controls is not my idea of a good listening experience.  no room treatments seem to be required.  other sorts of things that will not come to mind right now.............i'm hoping that some out there will have comments that i may learn from.  are any of you experienced with this method and know stuff i am missing??  don
 
Hey Don,

If it works for you, that's all that really matters, right?  I have to admit to being a past skeptic, now turned believer in Pierre's often whacky methods.  Some of it is really, really hard to get your head (and eyes) around, but he and Ron are eccentric geniuses with impeccable engineering credentials.

I was completely skeptical of their power strip but got to demo one in my place a few weekks ago (one of the "Stratum AC conditioners -- power strip mounteed on a maple block) and was stunned, literally, at the difference.  Unfortunately I can't use the speaker wires or interconnects as my cat loves to chew on bright shiny things and plastic films, and it doesn't take much to get that insulation off -- which is bad for the electrical gear, and worse for the cat.

Anyway, back to the subject at hand, I see I had misinterpreted how the FP III+ volume control hooks up, and not that I've got it figured out, I've gone ahead and ordered a 25k 48-step khozmo ladder attenuator and will play with the padding resistor until I find the right balance of adjustability and overall gain.  I'm also going to put the resistors between the selector and the pot to keep things simple and reduce the possibility of noise pickup.  I don't really need each input to be level maatched as I will have somewhat more than 11 steps to work with.  I'm also using a single stereo control and will place it on the opposite side from the power switch.

Problem solved, case closed. :-)

-- Jim
 
tuffy_puppy said:
hi again,  here is a small demonstration of my ongoing ignorance.  my components are placed on a big ol' sturdy coffee table at arms length directly in front of me.  an efp 3, a sex 2.1, a decware cd 200i and an old carver fm tuner.  my speakers are audio nirvana 12 inch and are flanking the components at around 70 inches from my ears.  this idea was stolen from pierre at mapleshade audio.  i have been set up this way for over six months now and will most likely NEVER return to the "rule of thirds"..........no remote control,  no tedious walks back and forth to change sources, or discs, or volume adjustments.  walking back and forth to a set of controls is not my idea of a good listening experience.  no room treatments seem to be required.  other sorts of things that will not come to mind right now.............i'm hoping that some out there will have comments that i may learn from.  are any of you experienced with this method and know stuff i am missing??  don

don - I kind of like that idea! I worry about people (like me) and their coffee in close proximity to my gear! I guess in a dedicated listening room - for sure.
 
to jim's topic:  recently asked  a fellow bottlehead to install a goldpoint mini-v unit into my sex 2.1.  that improved it so much i am almost speechless.  along with some other upgrades this li'l guy is better performing that my wife tells me i deserve!  grateful!....so now he is receiving my efp 3 in order to do similar upgrades.  and then i happen upon mention of khozmo.  look it up and behold!  machinery heaven!  and then i read that quite knowledgeable people are turning to khozmo instead other stuff.  i am just about to make a purchase.  any ideas?  don pettit
 
Don, I just looked at the Khozmo, and again, I couldn't be more impressed with the build quality. Simply amazing, but about the sound? I can't answer that. I can tell you that the cheap Chinese stepped attenuator that I tried out on my amp was taken out and replaced with a PEC control.I really like it, BUT it doesn't have any more control that the ALPS I started with(of course, being the same value and taper I didn't expect it to). Anyway, the Khozmo has 41 steps. That is quite a bit of control if the taper is right, and the pad resistors are chosen well. We can try using that one in your EFP III if you want, and like I said the last time, I will buy it if you aren't amazed by it.
 
Greg and Don,

I got the ladder type -- meaning the one with 48 steps and non-SMD resistors.  That said, I have no idea if it will fit in a stock foreplay III, but as I'm making my own top plate, I will be able to adjust the positions of some things a bit, though the basic layout and spacing will be retained.  Mainly I'm getting the IEC inlet off the top and will put one on the rear or use a PowerCon.  If there's room I'll probably also put the power switch somewhere in that rear corner where the iec inlet was.

HTH,

Jim
 
Informative thread, thanks. I'm curious though, I recently removed a pair of Goldpoint Mini-V's (with Nichrome thin film resistors) because I heard a distinct change in tone. I'm not sure exactly how to describe it except to say the tone became somewhat veiled, less musical. I disliked it so much I reinstalled the sweetest whispers attenuators. I haven't had a chance to listen since as my speakers are in a state of change. The Khozmo attenuator looks as though it uses similar surface mount resistors, Resistors: 1% 100ppm , 1/10W, low noise, non-inductive. The surface mounted resistors used on the standard Goldpoint Mini-Vs are 0.1% Nichrome THIN film with a thermal noise specification (TCR) of 25 PPM or 50 PPM. Thin film as opposed to metal film. A small difference perhaps but "we" DIY to chase the grail in a more value conscience way. Frustrating though. But then again I've learned more about resistors this morning, now if I can only remember it all :)
Best regards,
John

 
hi john,  to my ears, in my sex 2.1,  i heard a vast improvement when the mini-v was installed to replace the stock unit.  greg seems to have heard the same thing. so far so good.........now, turning to my efp 3 i am thinking why not the same improvement here?  but i do recognize the ballgame may well be entirely different.  since i am not a diy person and the preamp is in the hands of greg i have this decision to make.  drat,  i don't really know what to do.  $180 or khozmo or $150 for goldpoint or $4 at rat shack? myohmy!!!!!!!!!!! don
 
You are replacing completely different attenuators in S.E.X. and FPIII. S.E.X. has an inexpensive Alpha pot and FPIII uses a stepped attenuator with thru hole metal film resistors. IMO the Mini V sounds quite a bit better than the Alpha, but not quite as good as an attenuator made with thru hole resistors. This is why I recommend buying the Goldpoint Mini V Custom that uses thru hole resistors for the S.E.X. amp. Arn is a great guy to deal with.
 
thank you sir doc!!  greg,  my email is hosed up again.  let's do what the good doctor advocates!!  moving on to the channel attenuators. i do not like such largely spaced units and wonder about goldpoint units.  the way to go or not?  i do apologize for hijacking jim's topic and would like to wrap this up and to get out of the way.  please, put me out of my misery and get rid of me!!!!  don
 
John,

You wrote:

"The
Khozmo attenuator looks as though it uses similar surface mount resistors, Resistors:
1% 100ppm , 1/10W, low noise, non-inductive. The surface mounted resistors used on
the standard Goldpoint Mini-Vs are 0.1% Nichrome THIN film with a thermal noise specification
(TCR) of 25 PPM or 50 PPM. Thin film as opposed to metal film."

That's only one kind of Khozmo attenuator.  Look at the Khozmo web site and look at the "ladder" attenuator link.  This type uses through-hole dale vishay rn55 and caddocks as standard -- though there are other choices at higher prices.  They also have 48 steps instead of 41.  Should be easy to replace the caddocks with nude vishays.

I ordered mine directly from Khozmo as PCX did not have the 25k stocked in this ladder configuration.

Don, I've purchased my attenuator and after figuring out my wrong assumption on how the attenuator was wired, I'm all set, have my attenuator ordered and have a plan, so I'm done with this thread.

-- Jim
 
You guys have tempted me with these things long enough, but I found a surprise in the basement from years ago. A Shalco stepped attenuator project that, at the time, I didn't have the skills to deal with(and besides, seems to me, it was a balanced config). It'a real mess, as I wasn't able to neatly cut the leads the way that would work best. Anyway, it does offer yet another possibility for the new project I will starting in the near future(no Don, not yours, these things are giant).
 
That is an interesting idea:

However, I wonder about a stepped system that uses two 6-position rotary switches for a total of 36 steps -- one coarse and one fine) and wonder if anybody has done this and what type of attenuator you built -- series, ladder, or hybrid?

With two - 2 pole 6 position switches we could consider for the second switch an "inverse" "Single Series, Single Shunt, Stepped attenuator" to generate a "fine" control.  An inverse S5 attenuator keeps one resistor in the ground leg and switches a resistor to he input.  The inverse attenuator has the benefit of not "popping" when switching volumes even if a non-shorting switch is used.  The inverse attenuator has the disadvantage of wide input resistance swings, but for 6 steps, it can be made controllable.

SHUNT_MODE_POT_CONFIG_B.gif


The question would be what would be best for the first stage? I'm thinking a standard stepped attenuator would work.

What is to be considered is if an "impedance leveling" resistor between the first and second stage is needed.

------------------------------------------------------------------

I'm thinking 2 db steps for fine control and 10 dB for coarse as a goal.  One step of fine would over lap with the coarse settings giving about a 60 dB adjust range.

------------------------------------------------------------------
Another thought:

A single pole single throw center off switch could be also be added for a 1 dB balance adjust. The center off would be used for a "mute" switch.

 
For what it's worth, none of the current products were laid out with the Khozmo, Shallco, or other large attenuator in mind. I don't know what will fit in which product, (The Goldpoints are mostly similar in size to the stock and should fit.) I did a layout for an upcoming version of the Crack which does fit the large attenuators but I don't know if that aspect made it into the latest production design. I'll certainly push for it in the 300B preamp though!
 
Paul,

Well, if it's of any help, I certainly believe BH gear to be totally worthy of these boutique parts for those who want to make that choice.  The stock kits are a superb value as they come -- and the engineering and sonics are there for sure, and will satisfy a large percentage of listeners, but with a couple upgrades in intelligent places, a lot of the products can hang with the big boys for sure.  Does it make any sense to put Duelund silver foil CAST caps in a Quickie?  Perhaps not, but a good attaenuator in just about any product that uses one is definitely going to be a nice upgrade for a lot of people.  You can't undo the damage to the signal done in a pot but you can minimize it with a higher quality one.

-- Jim
 
Jim R. said:
Paul,

Well, if it's of any help, I certainly believe BH gear to be totally worthy of these boutique parts for those who want to make that choice.  The stock kits are a superb value as they come -- and the engineering and sonics are there for sure, and will satisfy a large percentage of listeners, but with a couple upgrades in intelligent places, a lot of the products can hang with the big boys for sure.  Does it make any sense to put Duelund silver foil CAST caps in a Quickie?  Perhaps not, but a good attaenuator in just about any product that uses one is definitely going to be a nice upgrade for a lot of people.  You can't undo the damage to the signal done in a pot but you can minimize it with a higher quality one.

-- Jim

Hey Jim - cant agree more! Duelund CAST is a bit over the top, not sure where they would be 'worth it' to tell you the truth. Not that I dont think that they are worth the money. Just not sure where you would justify it. You could easily say 'not in a Quickie' but then where? I guess you could spending $2-3K on caps is in a component that costs upwards of $20K. But then you are forced to deal with the issue of why did a $20K component not have them already? I would feel pretty ripped off if my $20K component didn't have the pinnacle of boutique part already on board, and here I was hacking out some $2 parts. The sad thing is that most of them dont have the good stuff. You are paying for someones supposed 'genius'. I personally think that is idiotic. There are many smart folks out there. Many of them involved with Bottlehead. For those that are too lazy to put some personal sweat and toil into their kit, and have money they dont know what to do with, there are the big bucks vendor. For the other 99% there is Bottlehead and others. My personal opinion is that China has had a good effect on this industry. They have made due with common electronics and produced great sounding kit for practically nothing. We (the USA) can, and we are doing the same. It has taken an awakening. In the past we have defined this industry. We will continue to. Use the KISS principle.
 
I shouldn't but I will say it anyway, fitting a khozmo in yor Crack is a lot like, well fitting a khozmo in your crack.  It can be done but you gotta dremel out the base.
 

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