Hi all:
I just bought my first Bottlehead, that being a Foreplay II that has been modified for 6fq7/6cg7 tubes. I can't wait to get it and audition it with my Marantz 9 VAC's. My present preamp is a serviced and aligned McIntosh MX-110 that is a good one. It is an early one with the thumb wheel balance control.
It will be real interesting to see which one gives the biggest sound-stage and transparency. If the Bottlehead is close, I plan on doing some upgrades to it that should put it over the top.
The lesser of the two will inherit a Parasound HCF 1200A Amp for general everyday use; TV, FM Stereo and some back-round CD's.
With that said, what are the best bang for the buck upgrades I can do to the Foreplay II? My only concern is that I understand that the FP II's have a slight hum issue. If this is the case, is there a cure? I also understand much of it in the FP II's is how well it was built/soldered. The guy I'm getting mine from sounded like he's a solderhead and knows what he's doing and put about 150 hours of playing time on it. He built a FP III which he did the same mod to 6fq7/6cg7 tubes, so apparently he liked the tone of these tubes. Ironically, the driver tubes in my Marantz's are 6cg7's!
Thanks,
Jim
I just bought my first Bottlehead, that being a Foreplay II that has been modified for 6fq7/6cg7 tubes. I can't wait to get it and audition it with my Marantz 9 VAC's. My present preamp is a serviced and aligned McIntosh MX-110 that is a good one. It is an early one with the thumb wheel balance control.
It will be real interesting to see which one gives the biggest sound-stage and transparency. If the Bottlehead is close, I plan on doing some upgrades to it that should put it over the top.
The lesser of the two will inherit a Parasound HCF 1200A Amp for general everyday use; TV, FM Stereo and some back-round CD's.
With that said, what are the best bang for the buck upgrades I can do to the Foreplay II? My only concern is that I understand that the FP II's have a slight hum issue. If this is the case, is there a cure? I also understand much of it in the FP II's is how well it was built/soldered. The guy I'm getting mine from sounded like he's a solderhead and knows what he's doing and put about 150 hours of playing time on it. He built a FP III which he did the same mod to 6fq7/6cg7 tubes, so apparently he liked the tone of these tubes. Ironically, the driver tubes in my Marantz's are 6cg7's!
Thanks,
Jim